News — Memory and Place
The Camera I Carry
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The Camera I Carry is my personal reflection on National Camera Day. Moving through my evolution from brushes to film to iPhone, and drawing on a recent wet plate collodion demonstration at the Monterey Museum of Art, I consider what connects Niépce's eight-hour exposure in 1826 to the woman on the pier that morning with her phone raised to the fog. The answer, I suggest, is not technology. It is intention.
Nature Remembers What We Forget
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On Nature Photography Day, this photograph serves as a reminder that the natural world is not merely observed but experienced, interpreted, and felt. Rendered in my signature cinematic and painterly style, the image transforms a familiar natural setting into a dreamlike meditation on mystery, reflection, and the stories nature leaves unfinished.
The Tree That Refused to Forget
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In this painterly, cinematic landscape, a solitary tree at Fort Ord stands suspended between seasons. The image explores the elegance of partial bloom and the emotional tension of in-between states. The work invites collectors to reflect on persistence, memory, and the beauty of becoming.
Lake Estero, Before the Thought Forms
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A poetic reflection on Lake Estero as a metaphor for memory, ambiguity, and quiet beginnings. This story explores how pinhole photographs mirror inner transitions, inviting viewers to consider new beginnings not as declarations, but as gentle, unresolved moments of becoming.
What the Land Remembered After the Orders Stopped
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A poetic and wry meditation on a grove of trees at Fort Ord, where endurance, memory, and artistic identity intertwine. The image becomes both landscape and self-portrait, inviting viewers to linger inside silence, texture, and time.