News — botanical art

A white flower becomes a quiet symbol of peace, while two hands suggest friendship, love, acceptance, and compassion. Rather than depicting peace through familiar symbols, I reflect on the small human gestures through which peace might actually begin: making room for difference, choosing understanding over suspicion, and reaching toward one another with kindness. At a time when the world feels increasingly divided, the work is a reminder that peace can begin with something as simple as two holding hands.

An ordinary vegetable becomes a meditation on memory, identity, and the beautiful impossibility of reaching the center “To see in the ordinary is the greatest gift.”— Frederick Franck Geographic Rings, Pebble Beach, CA, 2024 There are holidays devoted to grand things: nations, heroes, historical events, even celestial phenomena. Then there are days dedicated to something as delightfully unpretentious as the onion ring. I have nothing against onion rings. They possess their own democratic charm. Crisp, ephemeral, satisfying. They belong to roadside diners, summer barbecues, and baskets lined with wax paper. But when I learned that June 22 celebrates Onion Ring Day,...

This work explores the fragile boundary between presence and disappearance through a fragmented botanical form. Layered with atmospheric textures and ghostlike echoes, the image transforms a flower into a symbol of memory, resistance, and multiplicity. It reflects the artist’s ongoing dialogue with impermanence, where beauty is not preserved, but allowed to evolve, fracture, and resonate across emotional states.

In this monochrome botanical abstraction, I transform the interior of a flower into a dreamlike gathering of translucent forms. The image reveals how the natural world, when seen through a contemplative lens, can shift from botanical study to poetic metaphor, inviting viewers into a space where biology, memory, and imagination quietly converge.

An exploration of tension between harmony and dissonance. Through layered textures and atmospheric depth, I like to transform flowers into symbolic figures that embody resilience, impermanence, and the quiet friction that gives beauty emotional weight.